K. LEIMER
2014. With contributions from Gregory Taylor and Taylor Deupree. Extensively manipulated audio files, layered elements combined from multiple versions of shared sources, edited, reshaped envelopes and extended perio..
LEIMER K.
2018. Here's a remastered reissue of K. Leimer's 1983 album, including an extra disc of previously unreleased material.
LEIMER K.
2018. Here's a remastered reissue of K. Leimer's 1983 album, including a download for a treasure trove of previously unreleased material.
LEIMER K
2014. Chmaber and electronic ambient
LEIMER K.
2017. 'Leimer rather composes his pieces, deciding on objects and instruments to be used and as such, occasionally, sounds more modern classical than electronic. But he can, as easily, throw in an element, which sor..
LEIMER K.
2014. A 2012 release by K. Leimer, arranged into concise song-like structures. The material exemplifies a concentration on fluttering micro-sound textures, electro-acoustic sounds and field recordings.
LEIMER K.
2021. An expanded, remixed and newly mastered edition of 2018's 'Origin Peoples' LP, 'Mitteltöner72' is K. Leimer's homage to Germany's Kosmische era. Presented on this CD is all the music produced for the LP, ..
BARRECA & LEIMER
2022. The collaborative process of cult DIY experimental ambient artists Marc Barreca and Kerry Leimer is intended to subvert traditional and accepted methods of composition, instrumental voicing, signal processing,..
LEIMER K.
2014. The Listening Room belongs more to the past than to the future. And as in the past, these pieces were fooled into existence by establishing conditions and further manipulating the events that occurred within s..
LEIMER K.
2022. The cult electronic musician's 2022 release 'The Starting Errors' embraces broken song structures, dark ambience, noise and calamitous repetition. One might say that this music exhibits an ideological kinship ..
BARRECA MARC
2017. field characteristics derives from the barreca | leimer performance produced by steve peters for the wayward music series, presented 14 november 2014, at the chapel performance space in seattle, washington. t..