2018. P.A. Hülsenbeck's music is the outcome of the search for sound, a polyphonic reflexion of the music itself. It is organic. It moves in the darkness and dances in the open, exposed and forever drifting. ..
2018. P.A. Hülsenbeck's music is the outcome of the search for sound, a polyphonic reflexion of the music itself. It is organic. It moves in the darkness and dances in the open, exposed and forever drifting. Af..
2018. The fourth full-length from this project, comprising members from Germany, France and the USA, combines tender pop melodies with kraut-beats, disco grooves and delightful psychedelia.
2018. The fourth full-length from this project, comprising members from Germany, France and the USA, combines tender pop melodies with kraut-beats, disco grooves and delightful psychedelia.
2016. Skeletons' ninth album has been pushed off from the banks of jazz, pop, chamber music and has set sail for the sort of inimitable space only these musicians can create.
2016. Skeletons' ninth album has been pushed off from the banks of jazz, pop, chamber music and has set sail for the sort of inimitable space only these musicians can create.
2015. Die Goldenen Zitronen emerged in Hamburg's '80s punk scene, but through the years developed into an electro/art punk/indie collective with a strong political and social consciousness. Following no less than 11..
2015. Die Goldenen Zitronen emerged in Hamburg's '80s punk scene, but through the years developed into an electro/art punk/indie collective with a strong political and social consciousness. Following no less than 11..
2014. European version. On 'La Isla Bonita' Satomi's singing is front and center, and if it sounds like she's commanding the band, it's because she was.
2014. European version. On 'La Isla Bonita' Satomi's singing is front and center, and if it sounds like she's commanding the band, it's because she was.